The first step is to capture audio into the Guide and Dub lanes by making selections within the Edit window and hitting the appropriate Capture button. Open the AudioSuite plug‑in and you’ll see three ‘lanes’: Guide at the top, Dub in the centre and the Output (corrected Dub) at the bottom. So if, for instance, you want to align mutiple backing vocal takes, you’ll need to work on each one in turn. The ARA version can capture and process multiple Dub parts in one go (with the same settings), but AudioSuite is restricted to a single Guide and Dub. In VocAlign‑speak, the reference audio is known as the Guide and the audio to be corrected as the Dub. In this case you’ll need to arrange a side‑chain feed from the reference track and capture the audio in real time before you can align it. And in any DAW that has VST3 or AU support, VocAlign can live on an insert slot on the track whose timing you want to adjust. In Pro Tools, it can be used as an offline AudioSuite plug‑in. In DAWs that support ARA, VocAlign Ultra can edit audio directly within the arrange window. VocAlign Ultra remains a plug‑in rather than a standalone application, and there are three basic ways to use it. The plug‑in window is now freely resizeable, which is great because you often need to view it alongside the relevant material in your DAW’s arrange page. It looks and feels much more modern, with a more conventional waveform display that features colour‑coded pitch and waveform traces.

VocAlign Ultra can now match pitch as well as timing, and the user interface has been completely revamped. Now, though, Synchro Arts have embarked on a thoroughgoing overhaul using the latest Revoice Pro algorithms. Over the years, new features have tended to make their appearance in Revoice Pro the VocAlign feature set has remained simpler, to retain the emphasis on speed and efficiency. Synchro Arts also offer the standalone Revoice Pro, which includes all of VocAlign’s functionality plus detailed pitch‑correction, the ability to create fake double parts, and much more.

Its makers now estimate that 80 percent of VocAlign users are music producers. Over the years, it’s been made available in other formats, and is widely used for sung vocals as well as instrumental sources. Originally, it was an offline Pro Tools plug‑in targeted at post‑production tasks such as ADR (automated dialogue replacement). The raison d’être of Synchro Arts’ VocAlign is simple: to match timing between vocal recordings. After a major overhaul, is Synchro Arts’ VocAlign still an essential part of the vocal producer’s toolkit?

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